Open Free Admission

Gold Hill Museum Opens For Weekends From Friday 07 August

Gold Hill Museum opens to the public on Friday 07 August at 10.30a.m. Visitors will be asked to wear face coverings (unless exempt) and to provide contact details at the newly-screened Reception desk. This information is purely for any possible use by NHS Test and Trace, and will be destroyed after 21 days. On the ground floor a one-way system will be operative and exit will be through the garden and a gate separate from the entrance.

On the first floor visitors should “follow the arrows” (our footprints were lost in the delivery process) while observing social distancing in the smaller spaces, and especially on the stairs. COVID-19 and Lockdown mean that we are restricted this year to one Temporary Exhibition, on the theme of the famous Hovis ad made in 1973 by Ridley Scott. Our popular hands-on exhibits and laminated guides will not be available, for obvious reasons. Our friendly and knowledgeable volunteer stewards will however be present, and as helpful as ever behind their face coverings / visors.

There is no charge for admission to Gold Hill Museum. Contactless purchases and donations may be made in the Shop / Reception area and cash donations may still be deposited in our collecting box.

From 07 August Gold Hill Museum will be open only on Fridays, Saturdays and Sundays from 10.30a.m. to 4.30p.m.

Team Harbour Media on Gold Hill

Baker’s Boy Delivers to Gold Hill Museum

Forty-seven years after it was first made, homage continues to be paid to Ridley Scott’s Hovis ad. This time on 20 July 2020 the baker’s boy delivered fresh bread, not to “old Ma Peggotty’s place (t’was like taking bread to the top of the world”), but to the gate of Gold Hill Museum.

Baker's Boy Delivers to Gold Hill Museum 2020
Baker’s Boy Delivers to Gold Hill Museum 2020

The Harbour Media team from Weymouth, led by Justin Glynn, were on an almost deserted Gold Hill to shoot some footage for the Visit Dorset website. The few passers-by, mainly local residents, impressed with their friendliness and willingness to co-operate with the demands of film-making. The bike, not alas the original from 1973 but one used by the owners of Hovis for subsequent publicity, was borrowed from Gold Hill Museum. Justin’s son, playing the star role, patiently pushed the leviathan up the same stretch of hill for several retakes, and did not require a stunt double when taking his feet off the pedals on the way down.

Director and Star
Director and Star

Memorabilia from the making of the 1973 ad can be seen in Gold Hill Museum (when it reopens) including material kindly on temporary loan from the family of advertising executive Dennis Dunkley. Hovis appointed the Collett, Dickenson and Pearce advertising agency in 1970 and it was they who devised the slogan “As good for you today as it’s always been.” This chimes perfectly with the atmosphere and tone of the Ridley Scott masterpiece, though this was not Dennis’s favourite in a long, prize-winning series. One of his tasks was to ensure that the bread always looked its best for the camera in studio shots, and Dennis worked with both of the Scott brothers, Ridley and Tony, before they departed to make Hollywood blockbusters.

Marconi Factory Chelmsford

One Hundred Years Ago To The Day ….

On 15 June 1920 the renowned Australian operatic soprano Dame Nellie Melba made the world’s first radio broadcast of a live recital by a professional musician, from the Marconi Factory in Chelmsford. The Marconi Wireless Company had been making experimental broadcasts since February 1920. Dame Nellie was persuaded to lend her undoubted star quality with a handsome fee from the Daily Mail. Born Helen Porter Mitchell in 1861, she had adopted a shortened version of “Melbourne” as her stage name, and sung in most of the world’s great opera houses. Her charitable works during the First World War had been recognised by the award of a Damehood.

Nellie_Melba_-_Wolfenstein_1903
Nellie_Melba_-_Wolfenstein_1903

Unfortunately the primitive recording equipment of the era does not do justice to the quality of her voice and she was reluctant to commit performances to wax cylinders. She could also live up to the reputation of the diva: the great tenor Caruso was said to have pressed a hot sausage into her palm while singing that her “tiny hand was frozen; let me warm it.” On a more positive note, both Peach Melba and Melba Toast were named in her honour.

At 7.10p.m. on 15 June Dame Nellie began singing into a microphone cannibalised from a telephone mouthpiece and a wooden cigar box. ‘Home Sweet Home’ still carried an emotional charge from the Great War. Two arias and a rousing rendition of the National Anthem followed. The programme was heard across Europe and as far afield as Iran and Newfoundland. It would certainly have been heard in Shaftesbury: legally if the listener possessed a GPO licence, and probably on a home-made crystal set.

Between 1920 and 1922 570 radio stations were licensed in the USA. The British Broadcasting Company (later Corporation) was founded in October 1922 and made its first broadcast, an evening news bulletin, on 14 November 1922 on Station2LO. The BBC retained a monopoly of public radio until the 1970s.

The_Field_of_the_Cloth_of_Gold

Five Hundred Years Ago to the Day ….

In June 1520 King Henry VIII of England met with King Francis I of France at The Field of the Cloth of Gold. This was a diplomatic summit, an international sporting event, a fashion parade, and a festival all rolled into one: a spectacular opportunity for the rich and powerful to show off. Both kings were in their twenties and eager to prove that they were ideal Renaissance Princes: physically fit, handsome, lavishly dressed, skilled in the martial arts, well educated, well mannered, devout and accomplished. They wished also to cement an unusual peace between two countries almost perpetually at war.

The anonymous painting from c.1545 depicts Henry VIII at the head of the English contingent, almost 6000 strong, leaving Guines on the edge of the Calais enclave. This was the last piece of English-held territory in France, finally lost in 1558. To his left, possibly on a modest clerical mule (or a long-eared horse) is Cardinal Wolsey, the organiser of the entire proceedings. Ahead is the temporary English palace, a mainly timber and canvas construction deceptively painted to look like stone and tile and lit by impressive arrays of stained glass windows. The two fountains are reported to have run with wine. Behind the palace are some of the hundreds of catering and accommodation tents, and towards the top right the tiltyard, grandstands and artificial Tree of Honour bearing the arms of the participants.

The tournament proper ran from 11 to 22 June 1520. Armoured individuals on horseback jousted across a wooden barrier, aiming if not to unseat, at least break their lance by striking their opponent. Unsurprisingly Henry and Francis topped the league with 6 broken lances each. Ace jouster Charles Brandon, Duke of Suffolk, was tactfully off-form. In the next stage of the tourney, more of a free-for-all, the two kings were paired as a team, as they were in the foot combat. They may have met in an unofficial wrestling bout, where a French source has Henry thrown by Francis. English sources remain silent.

The Abbot of Glastonbury was invited but not, apparently, the Abbess of Shaftesbury. Thomas Grey, Marquess of Dorset, carried the Sword of State in the procession and can be seen ahead of his king, but Grey owned 100 manors in 16 different counties and was buried in Warwickshire. His granddaughter was the ill-fated Lady Jane Grey. At a humbler level, the gentry of Dorset were represented by Henry and Giles Strangways, John Horsey and Sir Thomas Trenchard.

Amid professions of undying amity the event broke up on 24 June 1520. Within two years Henry had declared war on Francis. As John Fisher, Bishop of Rochester, commented (and is quoted on the Hampton Court Palace website) “Where be all those pleasures now? They were but shadows …”

Appleby Family CommemorateVE Day 2020

The New Normal in Lockdown Shaftesbury 2020

New levels of inventiveness were necessary to commemorate the 75th anniversary of VE Day in Lockdown Shaftesbury. At least the Appleby family’s Big Ben was not cocooned in scaffolding. Contemporary Swing music, Churchill’s 3pm speech and an Aunt Sally sideshow contributed to the 1945 atmosphere, while Social Distancing was strictly observed.

New Normal VE Day 2020
New Normal VE Day 2020
VE Day 2020 Aunt Sally
VE Day 2020 Aunt Sally

Social Distancing also figured on the agenda of the first-ever virtual Trustees’ meeting of The S&DHS. A Risk Assessment indicated that while Social Distancing was set at 2 metres the capacity of the Garden Room would be limited to 10 persons. Small groups should be able to enter and exit this annexe of the Museum in comparative safety – when it is permitted. However the much-reduced capacity would have repercussions for events such as lectures and the Annual General Meeting. It was decided to move the AGM from Tuesday 07 July to the date and venue originally planned for the annual Teulon Porter Memorial Lecture, i.e. Shaftesbury Town Hall at 7p.m. on Tuesday 06 October. It might be possible to hold a lecture after the AGM. Time will tell.

Virtual Trustee Meeting May 2020
Virtual Trustee Meeting May 2020

For the foreseeable future Gold Hill Museum will remain closed. Even when cultural venues are allowed to re-open, the Trustees will have to consider how to operate the Museum safely, in terms of the circulation of visitors and the welfare of stewards (and Trustees), all of whom are volunteers.

Such “Goings On” at Shaftesbury – VE Day Tuesday 08 May 1945

Mayor and Mayoress Lead the Revels.

Shaftesbury was beflagged as never before, and the oldest inhabitants declared that they had never seen such “goings on” in the streets, when the Mayor and Mayoress (Mr and Mrs Ralph Pearson) led off the dancing in the High Street with the “Palais Glide”, to music from loudspeakers. The crowd was probably the largest ever seen, and dancing continued with great zest for more than an hour. The Prime Minister’s speech was broadcast from the Town Hall after which the Mayor told the large crowd that the main theme was one of thankfulness and that their first duty was to attend one of the services at the churches in the evening to give thanks …. The Town Band played in the Square for an hour and in the evening there was a very successful dance in the ex-Service Men’s Hut, the proceeds of which were for the local hospital. Later there were bonfires on all the surrounding hills.

Thanks to Archivist Ray Simpson for providing this news cutting and the images below; the text is as originally printed.

The “Palais Glide” was an English sequence dance performed in lines of couples, popular from the mid-1930s. Winston Churchill’s speech was broadcast at 3p.m. He said that “We may allow ourselves a brief period of rejoicing” but pointed out that the War in the Pacific against Japan was still to be won. When interviewed by Shaftesbury School students for an oral history project, Mrs Benita Streeter of Fontmell Magna recalled that “The Grand Finale was a journey to the top of Melbury Beacon where an immense bonfire was lit by the youngest guide and scout; torches were lit from the fire and a flaming V was formed on the side of the hill.”

Savoy Programme May 1945

An alternative evening entertainment would have been a showing at the Savoy Cinema in Bimport of “Four Jills in a Jeep”. The film was based on the real-life experiences of American forces entertainers Kay Francis, Carole Landis, Martha Raye and Mitzi Mayfair who toured the UK and North Africa in late 1942 and early 1943. The New York Times declared that “It gives the painful impression of having been tossed together in a couple of hours.”

Four Jills in a Jeep
Four Jills in a Jeep
Carnival Float 1912

Prime Minister Laid Low By Pandemic Virus – September 1918

In September 1918 Britain’s dynamic wartime Prime Minister, David Lloyd George, visited Manchester Town Hall to receive the Freedom of the City. It was the city of his birth, to Welsh parents in 1863. By 1918 he had a formidable list of achievements in an illustrious political career. Old Age Pensions, introduced in 1908; National Insurance in 1911 to pay for unemployment benefit; overcoming a shortage of artillery shells on the Western Front as Minister of Munitions in 1915; and as Prime Minister implementing the convoy system to minimise losses of shipping to German U boats.

Prime Minister David Lloyd George c1918
Prime Minister David Lloyd George c1918

In the evening Lloyd George collapsed, a victim of the ‘Spanish Flu’. This was a virulent, possibly avian flu. It certainly didn’t originate in Spain, but as Spain was a neutral country and King Alfonso XIII an early patient, its existence was widely reported. Accurate news of Lloyd George’s condition was however suppressed, for fear of giving encouragement to Germany and her allies. The Prime Minister was too ill to move and received treatment in a Committee Room in the Town Hall for ten days, at one stage being put on a ventilator. As his valet later remarked, it was “touch and go.”

Worker bee motif Manchester Town Hall
Worker bee motif Manchester Town Hall

Lloyd George recovered and played a key role at the Versailles Peace Conference in 1919. Though his social reforms did much to remove the fear of the workhouse from the old and the sick, there was no entitlement to free medical treatment before the advent of the NHS in 1948. Until then philanthropy, voluntary contributions and community fund-raising played a vital role in providing health care. The Westminster Memorial Hospital was a Grosvenor foundation in 1874 and the annual Shaftesbury Carnival made a significant contribution to its running costs, as you can read at Shaftesbury Remembers by clicking here.

Rin Tin Tin in A Dog of the Regiment 1927

Top Of The Bill – But Not Worth An Oscar

Rin Tin Tin, the canine superstar of the 1920’s, was a big hit with young Shaftesbury film-goers. A local resident recalls that her father, born in 1918, enjoyed going to the “The Fleapit” to see Rin Tin Tin. This might have been the Picture Palace which, according to Roger Guttridge in Shaftesbury Through Time, closed in 1925 or its replacement further up the High Street called the Palace. The Savoy Cinema in Bimport opened in 1933, two years after Rin Tin Tin’s last film.

135th Aero Squadron Group with rescued puppy
135th Aero Squadron Group with rescued puppy

Rin Tin Tin was rescued in 1918 as a puppy from a wrecked kennels in north-eastern France by an American serviceman, Lee Duncan. He took the German Shepherd back to California and trained the dog, which he called Rinty, to be very responsive to commands and to leap prodigious heights. In 1922 the dog made his film debut, doubling for a very unresponsive wolf. In 1923 he had his first starring role in Where The North Begins. This film made six times its production costs and was credited with saving the Warner Brothers studio from bankruptcy.

Rin Tin Tin in Where The North Begins 1923
Rin Tin Tin in Where The North Begins 1923

By 1929 Rin Tin Tin was an international favourite. He appealed to all nationalities and the absence of a soundtrack meant that no commands were heard. (The advent of talkies required Lee Duncan to devise a code of visual signals.) The first Academy Awards ceremony, hosted by Douglas Fairbanks, took place in that year and legend has it that Rin Tin Tin should have won Best Actor. The organisers, however, decided that a dog could not be nominated and German actor Emil Jannings won the rerun vote.

The original Rin Tin Tin starred in 27 Hollywood films and died in 1932. Lee Duncan never copyrighted the name and so there was a succession of imitators, including a television series which the writer vaguely remembers from the 1950’s.

If you have reminiscences of the early days of the cinema in Shaftesbury, please get in touch with us.

Picture Palace Cinema High Street Shaftesbury

What’s On At The Picture Palace in 1920?

Shaftesbury’s cinema The Picture Palace opened in the High Street in 1913. The neo-Classical frontage was adjacent to the cycle shop on the site of what is now Bargains. After five grim years of war and a devastating flu pandemic in 1918-19, the cinema offered an escape – to a world of adventure, glamour and even comedy.

This was the heyday of the silent movie. Many films were two-reelers, knocked out in a few days at minimal cost and using real locations. The reliably sunny weather of California was appreciated by film makers in a hurry. Prior to World War One, Arthur Stanley Jefferson toured Music Halls in the US with another unknown, Charlie Chaplin, as part of Fred Karno’s (British) slapstick vaudeville troupe. Both stayed to find employment in Hollywood, with Chaplin’s creation of The Tramp in 1915 earning star status. Jefferson became Stan Laurel but had to wait until he was paired in the mid-1920’s with Babe Hardy, another bit-part player of heavies, for his particular comedy genius to be recognised.

Founders of United Artists
Founders of United Artists. Fairbanks, Pickford, Chaplin and DW Griffith

In 1919 the giants of Hollywood were Chaplin, Mary Pickford (“America’s sweetheart”), Douglas Fairbanks Snr (“King of Hollywood”) and director DW Griffith. They founded United Artists in 1919 so that they had total control over the making and marketing of their films. On 28 March 1920 Pickford and Fairbanks made a marriage in publicists’ heaven. They honeymooned in Europe and were mobbed in Paris and London. Their return to the USA was equally triumphant and as “Hollywood royalty” they entertained regally at ‘Pickfair’, their Beverly Hills mansion.

So which films might Shaftesbury cinema-goers have seen in 1920? There were British film companies: Broadwest based in Walthamstow; Ideal at Elstree and Borehamwood; and Gaumont-British at Lime Grove in Shepherd’s Bush. But presumably the Picture Palace could also show the latest Hollywood movies featuring the biggest stars. Pickford (aged 27) played Pollyanna (aged 12). Her special talent lay in portraying the innocent ingenue and the film was popular, making $1.1 million against a budget of $300,000. It ran for 58 minutes and would have been a multi-reeler, requiring the projectionist to make quick changes and show the reels in the right order. Fairbanks played a typical swashbuckling role in the first film version of The Mark of Zorro. This ran for 90 minutes and featured Noah Beery, father and son, in supporting roles.

Lillian Gish in DW Griffith's Way Down East
Lillian Gish in DW Griffith’s Way Down East

DW Griffith was a pioneer film director. Many of his innovations became standard practice in film-making: close-ups, cross-cutting, fade-in / fade-out. He experimented with colour tints in 1919’s Broken Blossoms and used the same star (“The First Lady of American Cinema”), Lillian Gish in 1920’s Way Down East. This was a blockbuster: it cost $700,000 to make, ran for 145 minutes, and made $4.5 million at the box office. Performers often did their own stunts, and the 26 year old Gish lay on a real ice floe and trailed her hand in freezing river water. As a result her hair froze and she permanently lost the feeling in some of her fingers. She certainly made an impression on the British cinema-going public and, according to Juliet Nicholson, ‘Billingsgate market resounded to cries of “Would you like a nice bit of Lillian for your supper?”‘ (The Great Silence 1918-20 Living in the Shadow of the Great War, p258)

Apart from going to the cinema, Shastonians were very good at making their own amusements , as detailed at the Shaftesbury Remembers website. They could also stay at home and read a book, as many of us are doing during the current lockdown. In 1920, after many rejections, Agatha Christie published her first novel The Mysterious Affair at Styles . This featured the Belgian detective Hercule Poirot, probably inspired by Christie’s meeting Belgian refugees in Torquay who had fled their homeland in1914.

Street Scene from the Tyler Collection

Albert Edward Tyler, 1873-1919, Photographer of Edwardian Shaftesbury

Prior to their now postponed talk Claire Ryley and Ann Symons, together with Chris Stupples, discovered more about the family history of Albert Edward Tyler. He was born in Market Drayton, Shropshire, in 1873, one of eight children in the family of Edward and Annie Tyler. His father was a butcher and the family lived on the shop premises in Market Street. When Mr Tyler died in 1884 his eldest son took over the business while Albert became a photographer’s apprentice.

By 1901 Albert had moved to Shaftesbury and was established as a photographer at 53 Salisbury Street. In September 1902 he married Flora Ellen Biddlescombe at St Michael’s and All Angels in Stour Provost, and a daughter Muriel was born in March 1903. In 1911 the family was at an address between 4 Blandford Road and Boyne Farm, Cann, before moving to 5 Bell Street.

There is no record of Albert’s having done military service in the First World War. Not all records have survived and by the time conscription was introduced in 1916 he was already older than the upper age limit of 41. It is possible that his health was impaired as he died in January 1919 of cancer at the Middlesex Hospital in London. By today’s standards he was a youthful 45. The devastating ‘Spanish flu’ pandemic had just peaked in November 1918, at the time of the Armistice.

Flora and Muriel moved to 4 Belle Vue Terrace, later known as 19 Victoria Street, Shaftesbury where they were joined by Flora’s widowed brother Alfred Biddlescombe, a retired gardener’s labourer. They remained there until Flora’s death in February 1952. Muriel, described as a ledger clerk in 1939, died in December 1984 and was buried at St James’s Church.

Valuable historical information continues to be added to the Shaftesbury Remembers website. Local author Karen Dickson made use of it while writing her recently published first novel ‘The Shop Girl’s Soldier’. Karen described the story, when interviewed on ThisisAlfred.com , as a romantic saga spanning the First and Second World Wars, set in a small town and surrounding villages not dissimilar to Shaftesbury.

Claire, Chris and Ann at the Etches Collection (2)
Claire, Chris and Ann at the Etches Collection (2)