Join the Historic Byzant Ceremony on Monday 08 May 11.00

The Byzant is unique to Shaftesbury, though it resembles May Garlands carried in festivities elsewhere. As inhabitants of a hilltop town, Shastonians were long dependent on water carted up the hill from springs at its foot in Enmore Green. Some householders had – and still have – their own wells, but most would have bought their supply from a water-carrier. A great deal of beer would also have been consumed in preference to potentially impure water. The right to draw this water required ceremonial payment of an annual tribute to the Lord of the Manor of Gillingham, first mentioned in a document of 1364. On the Sunday before Ascension Day, the Mayor of Shaftesbury walked in procession down to the wells to deliver bread, a calf’s head, a cask of ale, and a pair of gloves. (Shown in Janet Swiss’s mural in Gold Hill Museum, above).

The Byzant was also handed over and then immediately returned. The origin of the name is uncertain, but a legal document of 1662 requires that a staffe or prize besome be carried. In discussing possible derivations of the name, Gordon Ewart-Dean comments that a Harry Potter broomstick makes a good base to posh up with ribbons, feathers, flowers and a few trinkets. The trinkets may have been rather more expensive plate and jewels, loaned for the event by local worthies, as the Corporation’s accounts for 1708 include two shillings paid for watching ye bezant. Other expenses at the time included new clothes for the most recently married couple in the borough, who were appointed Lord & Lady for the day. No doubt there was a festival atmosphere, with much music, dancing, dining, and drinking. The Mayor and the twelve Capital Burgesses (co-opted rather than elected) always treated themselves to a private banquet. In 1771 this cost £54.11.0., when £17.11.0. was also spent on a new Byzant. It is a reasonable assumption that this was the gilded wooden Byzant (photo above by Alan Booth) saved by Lady Theodora Grosvenor, given to the town, and now on display in the museum. In 1830 the still-unreformed Shaftesbury Corporation decided to abolish the ceremony to save money, and the last Byzant became a relic of a lost tradition, revived again this year to coincide with King Charles III’s coronation. There was a re-enactment in 2019 before the pandemic.

You are invited to join the Byzant Procession, gathering outside the Town Hall from 10.45a.m. for an 11.00a.m. start. Vaguely medieval or Tudor costume welcome, but not compulsory. You can choose a costume to hire from a selection at the museum. On the day, look out for the seven silver pennies!

Further details of the event from Elaine Barratt at chairman@goldhillmuseum.org.uk

It’s a Peach of an Exhibition

For the new season beginning 01 April 2023 Gold Hill Museum offers an intriguing temporary exhibition on the contribution to the Shaftesbury community of the Peach family. John T Peach (1866-1941) was the eldest son of Walter (1832-1901) and in the coronation year 1902 he and his family were living “above the shop” at 61 High Street, Shaftesbury, where John ran a thriving hairdressing and tobacconist’s business. Edward VII should have been crowned king in June 1902, but underwent emergency surgery for acute appendicitis two days before the ceremony, which was postponed until 09 August. The patriotic decoration of the shop exterior (above) seems appropriate for a coronation, and the photograph has traditionally been assigned to 1902. However, the present writer thinks (and it’s only his opinion) that the photograph was probably taken in October 1899 when Edward made a flying royal visit to Shaftesbury as Prince of Wales. The town had geared itself up for a royal spectacular, with a temporary grandstand built in the High Street outside the Town Hall, and a competition for the best celebratory bunting. In the event, the Prince changed his plans and didn’t even step down from his carriage. More of a Pit Stop than a Royal Visit – Gold Hill Museum

Two of John’s daughters, Hilda (1890-1964) and Margaret Rosina (1892-1978) are visible in the shop doorway, together with two of his brothers, William (1875-1936) and Sidney (1877-1947). Sidney married Flora Cooper in 1901 and moved to Newbury in Gillingham (Dorset), where he too set up as a hairdresser and tobacconist. This tends to confirm that the photograph is from 1899 rather than 1902 (if one of the young men is Sidney.) Sidney’s story can be consulted in a folder alongside the exhibition kindly provided by David Lloyd of Gillingham Local History Society. William also married in 1901, to Elizabeth England, but remained in Shaftesbury working in his brother’s shop. John had moved to the larger premises at 61 (later also incorporating 59) High Street in 1896, from 09 Salisbury Street. The year before his move, he had been left with the only unfrozen water tap in Shaftesbury during the big freeze of February and March 1895.

The Great Freeze of February 1895
The Great Freeze of February 1895. John Peach gave fellow townsfolk free access to the only unfrozen water supply in Shaftesbury. His daughters and brothers are almost certainly in this photograph too

Archive volunteer and exhibition curator Heather Blake has found a tangible expression of Shastonians’ gratitude to John Peach for his 1895 altruism, in the shape of a brass plaque. John refused to accept any monetary reward, so the proceeds of a collection went towards the provision of a public bench (now gone) in Boyne Mead.

John Peach supplied free water to fellow townsfolk during the big freeze of 1895

A third daughter, Doris Blanche, was born to John and Susan (nee Davis) Peach in 1902. All three daughters became energetic supporters of the St John Ambulance Brigade and Shaftesbury Carnival, which was a major source of funding for the local Westminster Memorial Hospital in pre-NHS days. John formed the Shaftesbury Hospital League as another means of assisting health care. Hilda’s husband, Sidney Hussey, dealt in coal, corn and general merchandise at 58 High Street, where the St John Ambulance was parked in a yard at the rear of the premises. At Doris’s wedding in 1931, St John Ambulance members formed a guard of honour, having the previous evening given the bride-to-be a handsome oak clock. Her husband, James Hillier, rose to be a regional manager in British Railways engineering. In 1964 he salvaged one of the name-plates from the recently-scrapped steam locomotive “Shaftesbury” and presented it to the town.

Name-plate of 'West Country' class locomotive 34035 'Shaftesbury', scrapped in 1963. On loan from the Town Council, to whom it was presented in 1964 by Mr J.T. Hillier
‘West Country’ class 34035 ‘Shaftesbury’ locomotive name-plate, presented to the town by Mr J.T. Hillier in 1964. On show at Gold Hill Museum in Room 3

The Peach business expanded to include ladies’ hairdressing and the sale of confectionery. The 1935 Kelly’s Directory lists Peach, Jn. Thos. Tobacconist, 61 High St, and Peach, Miss Margaret Rosina, confectioner, 59 High St. John held a policy from the Shaftesbury Plate Glass Mutual Insurance Society, becoming a director of the Society, and keeping its Minute Book in an immaculate hand, as shown in the exhibition. After her father’s death in 1941, Margaret Rosina continued to manage the Peach enterprise.

The heading for this Peach of an Exhibition is “Shopkeepers Who Made A Difference.” Heather has assembled a fascinating variety of artefacts, documents, and photographs, with invaluable help from descendants of John Peach. You can see this display on the first-floor landing outside the Museum Library and Lift. Keep going to the far side of Room 4 Life in the Town. As with all our exhibitions, it’s free.

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Invoice for cigars supplied by J.T. Peach dated February 1906. Note the cut-throat razor

Escape or Die 1651 – Charles II the Most Wanted Man

On 03 September 1651 the mainly Scottish army of the 21 year-old Charles II was defeated at Worcester. The young king, whose father Charles I had been executed in 1649, was now the most wanted man in England, with a £1000 price tag on his head. He spent the daylight hours of 06 September hiding in the branches of the original Royal Oak at Boscobel, while Parliamentary troopers searched for him below. On Tuesday 04 April at 2.30pm at Gold Hill Museum Paul Cordle tells the gripping story of Charles’s haphazard flight after the battle, which, full of near-misses and narrow squeaks, brought him through south Somerset, west Dorset, and south Wiltshire. After six weeks of living on his nerves and thinking on his feet, Charles finally found a boat to France at Shoreham in West Sussex. Paul’s illustrated talk is free to members of The Shaftesbury & District Historical Society and open to members of the public on payment of £3 at the door.

Charles had no preconceived escape plan. He had no intention of following a beaten army back to Scotland, and thought his best chance of survival lay in the fewest people being aware of his presence and intentions. The only senior Royalist who stayed with him, Henry Viscount Wilmot, was something of a liability, in that he insisted on riding everywhere and declined to change his appearance. As Charles told Samuel Pepys in 1680, I tooke care not to keepe (Wilmot) with me, but sent him a little before or left to come after me.

By the time Charles took refuge in the Royal Oak, his hair had been cut short, his face and hands stained dark, and his clothes dumped for a Country-Fellowes habbit, with a pair of ordinary grey Cloath Britches, a Leathern Dublett and a greene Jerkin. He did not look like his 1653 portrait (above), painted during his exile in France. Nevertheless, he was in constant danger of being recognised – not least because of his height (“over two yards high”) – and he had to use his wits to persuade the suspicious that they had met him in other, plausible circumstances. Some of the best advice and practical assistance came from Catholic Royalists. They were accustomed to being careful what they said, and the more affluent had built concealed priest holes into their houses. But anyone who helped the fugitive king was putting life and property at risk.

Boscobel House, Shropshire, contained hiding places, and was surrounded by dense woodland, including the Royal Oak

A brief foray on foot revealed that crossing the River Severn into Wales was too dangerous a proposition. The opportunity arose for Charles to masquerade as Will Jackson, servant to Mrs Jane Lane, who already had a pass to visit her pregnant friend Mrs Norton at Abbots Leigh near Bristol. Jane rode pillion to the king, and again when they moved on to Colonel Francis Wyndham’s house at Trent in Dorset, once they had learned that there would be no ships leaving Bristol for France for a month.

In all Charles spent 19 days at Trent, where he may have felt safer after the maid of the House (who knew me) told me that there was a Rogue a Trooper come out of Cromwell’s Army that was telling the people that he had killed me, and that was my Buffe-Coate which he had then on. Upon which most of the Villiage being Fanatiks, they were ringing the Bells and making a Bone-Fyer for joy of it.

‘Will Jackson’ had a new pillion passenger, Mrs Juliana Coningsby, when as part of a pretend runaway marriage party they rode to Charmouth to await a summons to a ship in Lyme. They were let down and returned to Trent via Bridport, where they Rodd directly into the best Inn of the place and found the Yard very full of soldiers. I alighted, and taking the Horses thought it the best way to goe blundering in among them, and lead them through the middle of the Soldiers into the Stable, Which I did and they were very angry with me for my rudeness. And as the Ostler was helping me to feed the Horses, Sure, Sir (Sayes the Ostler) I know your face. Which was noe very pleasant Question to me. The king was able to convince the Ostler that their paths had crossed in Exeter, where Charles said that he had been servant to a merchant, Mr Potter, whom he knew to exist.

A monument stone to the north of Bridport, indicating where Charles took a lucky turning to Broadwindsor. The posse galloped straight on.

On 06 October the king, still playing the role of Will Jackson, carried Mrs Coningsby from Trent to Heale House near Salisbury, via Wincanton and the George Inn at Mere. As this is a journey of at least 43 miles there would need to be breaks for food and perhaps a change of horses.

On 06 October 1651 the fugitive Charles II, in the guise of manservant Will Jackson, stopped at the George Inn, Mere. The truncated remains of stone steps embedded in an internal wall may have led to his upstairs hideaway.
Alternatively, as Charles seemed to favour hiding in plain sight, perhaps he warmed himself by this fireplace in the George Inn.

The following day, for the benefit of any prying eyes, he rode off as far as Stonehenge, and returned to Heale at night. After five days in hiding, he headed for Shoreham, where the captain of a collier bound for Poole had agreed to a diversion to allow two impecunious merchants to collect a debt in France. On 16 October Charles and Wilmot disembarked at Fecamp in Normandy.

The Monarch’s Way is a long-distance footpath through 15 counties replicating Charles’s 625 mile trek from Worcester to Shoreham

England’s brief flirtation with Republicanism ended in 1660. Some years after the Restoration Charles said to his heir, the future James II: Brother, I am too old to go again to my travels. James failed to take the hint and was deposed in the so-called Glorious Revolution of 1688.

How Swanage (Dorset) Became “Little London By The Sea”

Former Lord Mayor, Sir John Stuttard, explains at 2.30p.m. on Tuesday 07 March at Gold Hill Museum how architectural curios from the City of London found a new home on the Dorset coast at Swanage. The frontage of Swanage Town Hall, for example, built 1882-83, (above) was recycled from the 1670 Mercers’ Hall in Cheapside. Sir John’s illustrated talk, entitled “London and Dorset: A Shared History in Construction”, is free to members of The Shaftesbury & District Historical Society, while open to the public on payment of £3 at the door.

A block of Portland stone at Worth Matravers

The London-Dorset connection began with the demand for Purbeck marble and Portland stone to adorn high-status buildings in the capital. Blocks of cut stone were shaped and stored in “bankers” at Swanage, prior to being manhandled into horse-drawn carts and driven into the sea for loading onto lighters and then barges. In 1666 much of London was destroyed in the Great Fire. Sir Christopher Wren’s decision to rebuild St Paul’s Cathedral substantially in Portland stone created a huge demand – nearly a million cubic feet of stone was used – and established a regular trade by sea to the Thames. Portland stone became the fashionable choice for notable Georgian buildings such as the British Museum, Somerset House, the Bank of England, the National Gallery, and Mansion House, official residence of Lord Mayors of London like Sir John. Chief architect of the Bank, Sir John Soane, was responsible for the present-day appearance of the 17th century Banqueting House when he decided in the early 19th century to clad it in Portland stone.

Banqueting House Whitehall
Inigo Jones’s 17th century Banqueting House in Whitehall, refaced in Portland stone in the 19th century

The links between Swanage and London were reinforced when John Mowlem (1788-1868), stonemason and son of a Swanage quarryman, moved to London in 1807. After working on Nelson’s Tomb in St Paul’s and on Somerset House, he set up a thriving business as a paving contractor and stone merchant, in which he was joined by George Burt (his wife’s nephew) and Joseph Freeman (Burt’s brother-in-law). Eventually Mowlem returned to Swanage and in the absence of any Mowlem heirs the company passed to Burt, while retaining the Mowlem name to the present century. It was Burt who, in fulfilling lucrative contracts to widen and resurface London thoroughfares, sent redundant items of street furniture (and sometimes whole buildings) as ballast to Swanage, where they were re-used, and can still be seen, in “Little London by the sea.”

J.E. Williams’s portrait of George Burt (1816-1894); Swanage Museum and Heritage Centre

Another Chance to See Tyler Photographs of Edwardian Shaftesbury

By popular request, Claire Ryley and Ann Symons are repeating their presentation of black and white photographs of Edwardian Shaftesbury from the Tyler Collection at Gold Hill Museum at 2.30p.m. on Tuesday 14 February. A number of people were not able to make the first showing in December 2022 and this is another opportunity to view a series of remarkable images captured by Albert Edward Tyler between about 1899 and 1916. As ever, Claire and Ann will welcome observations from the audience about exactly what is visible on screen. This show is free and open to members of the public as well as of The Shaftesbury & District Historical Society.

Even better news is that Claire and Ann are checking through many hundreds of Tyler glass negatives in the process of compiling a presentation of photographs of the surrounding villages (e.g. Ashmore, above, in 1907) in time for Shaftesbury Library’s Local History Month in May 2023. S&DHS volunteers like this Ashmore image so much that it is planned to use it in a new Gold Hill Museum Guide, currently in preparation. The Museum has lacked a Souvenir Guide ever since it re-opened in 2011.

As Ann points out, many of Tyler’s photographs show evidence of careful planning and artful arrangement. There are at least 30 children on the ice, well spaced out so that they are safer but also all clearly in view. Presumably that guarantees more sales of the final print. On the far side of the pond, there are men attending three horse-drawn carts, one with an enormous load of timber requiring three horses to draw it. This is a recognisable view of a well-known Dorset landmark, but it is showing a different world.

Joan of Arc – Condemned to Death for Wearing Trousers?

On Tuesday 07 February at 2.30p.m. at Gold Hill Museum, French linguist Helen Jouahri will talk about “The Surprising Joan of Arc”. Members of The Shaftesbury & District Historical Society were persuaded in a cogent lecture by Dr James Ross that Henry VI was indeed the “Worst King of England” – and Joan made a significant contribution to Henry’s ultimate loss of the French crown and lands, and the Hundred Years’ War. In the winter of 1430-31 Henry and Joan were in the same place, Rouen Castle, at the same time. However, it’s extremely unlikely that they ever met. Henry was aged 9 and very much under the control of his uncle, the Duke of Bedford, and his tutor the Earl of Warwick. Joan was about 18, a solitary female prisoner in chains, being examined for alleged heresy by a battery of male inquisitors.

Joan’s youthful star burned very brightly for a very short time. Though from a modest peasant background, in early 1429 Joan was able to convince the future Charles VII of France and his advisers that hers was a God-given mission to help him defeat the English and their Burgundian allies. No-one was greatly surprised that Joan heard saintly voices; the fundamental question was whether these voices were of heavenly or demonic origin. She later revealed that one of the voices belonged to Saint Catherine, a very popular saint invoked on both sides of the Channel, and represented in our Collection.

Alabaster altarpiece
Medieval alabaster altarpiece, probably from Shaftesbury Abbey, found concealed in a cottage wall in the town. Typical of the Nottingham School of Carvers, and thought to show the entombment of St Catherine.

When Joan’s presence inspired the Armagnac French to raise the siege of Orleans and to further victories in the Loire Valley, this was taken as proof that Joan had God on her side. In July 1429 Charles was duly crowned King at Reims, but Joan’s later military enterprises were not so successful. An attack on Paris failed in September 1429, and in May 1430 Joan was captured by the Burgundians, who ransomed her to their English allies.

Joan arrived as a prisoner at Rouen in December 1430. On 03 January 1431 an edict was issued in Henry’s name. Most scandalous, it would appear, had been her short haircut and adoption of male clothing:

It is sufficiently notorious and well known how for some time, a woman who calls herself Joan the Maid has put off the habit and dress of the female sex, which is contrary to divine law, abominable to God, condemned and prohibited by every law; she has dressed and armed herself in the habit and role of a man, has committed and carried out cruel murders and, it is said, has led the simple people to believe, through seduction and deceit, that she was sent from God, and that she had knowledge of His divine secrets, with several other very dangerous dogmas, most prejudicial and scandalous to our holy catholic faith.

There are no surviving contemporary images of Joan drawn from life, so we cannot be certain how she looked. The painting at the top of this blog was created over 70 years after her death, but is accurate in some respects. She led from the front in military encounters, wearing a custom-made suit of armour and carrying a holy banner. She put herself in the firing line and was wounded several times. We do know what she said in answer to her inquisitors, as detailed records were kept. For an unlettered teenager, she showed remarkable intelligence and resilience in the face of weeks of relentless hectoring and trap-setting. Joan was eventually browbeaten into submission. This she soon rejected and, having relapsed into heresy, she was burned at the stake in Rouen’s market place on 30 May 1431. Her remains were dumped in the River Seine.

This was the end of a brief life, but only really the beginning of Joan’s story. Helen’s illustrated talk is free to members of the S&DHS and open to the public on payment of £3 at the door.

King Henry VI – More Popular Dead Than Alive?

Dr James Ross, biographer of Henry VI, assesses the claim that Henry was “England’s Worst King” at 2.30p.m. at Gold Hill Museum, Shaftesbury, on Tuesday 10 January. Henry died in the Tower of London in May 1471, probably murdered on the orders of his Yorkist rival, King Edward IV. Henry was taken to Chertsey Abbey in Surrey to be buried …. not an appropriate burial site for a monarch: it was intended, presumably, to ensure his memory faded in this obscure abbey. If so, it failed. A cult to the king was already well established within two years of his death. (Ross, “Henry VI: A Good, Simple and Innocent Man”, p98)

In 1480 Edward tried to impose a ban on those “in going of Pilgrimage to King Henry” at Chertsey. In 1484 Richard III admitted defeat and had Henry moved to St George’s Chapel, Windsor, where he still lies opposite his Nemesis, Edward. Metal badges were made of Henry for pilgrims to buy. Almost 400 have been found, some in France. Henry’s nephew, Henry Tudor, pressed the Pope unsuccessfully on more than one occasion to canonise his uncle, who was credited with performing a total of 368 miracles posthumously. Some of these were quite local.

On 07 February 1486 Alice Newnett of Mere in Wiltshire apparently died of the plague. After a priest had administered the last rites, her grieving mother sewed Alice into her shroud, and the body lay for two hours on the ground. Suddenly Alice sat bolt upright. According to her, she had seen a vision of a holy man in dark silk and a gold crown, who promised to restore her to life on two conditions: one, that she lay in her shroud until he told her to rise; the other, that she make a wax candle as tall as she was and deliver it to the tomb of King Henry VI at Windsor. (Lauren Johnson, BBC History Magazine, February 2021)

Richard Beys, the victim of a profound miscarriage of justice, was hanged at Salisbury on 23 February 1484. He too had a vision of a tall figure royally dressed in a blue velvet gown, accompanied by the Virgin Mary. While Mary held up Beys’s body with her hands under his feet, the grey-haired royal figure had slipped his hand between the noose and Beys’s neck, thus preserving him from strangulation …. Beys travelled to Henry’s tomb to report his miracle and give thanks, leaving there the noose that had hanged him. (Lauren Johnson, “Shadow King: the Life and Death of Henry VI”, p546)

Dr Ross’s talk is free to members of The Shaftesbury & District Historical Society and open to the public on payment of £3 at the door.

Rivals for the title of “England’s Worst King”

At Gold Hill Museum at 2.30p.m. on Tuesday 10 January 2023, Dr James Ross of the University of Winchester will consider the claims of Henry VI to be labelled “England’s Worst King.” As the author of Henry VI : A Good, Simple and Innocent Man in the Penguin Monarchs series, James is well qualified to judge. He is also highly regarded as a public speaker, having been awarded an Honorary Fellowship in 2021 by the national Historical Association for his outreach work. His talk is free to members of The Shaftesbury & District Historical Society and open to the public on payment of £3 at the door.

Henry’s long and disastrous reign began in infancy on the death in 1422 of his father Henry V, victor at Agincourt. By the time of his murder in 1471, the younger Henry had lost the English and French crowns, all of the English-held territory in France except Calais, the Hundred Years’ War with France, and a significant phase of the Wars of the Roses. On the plus side of the ledger there were some educational foundations, still in existence. You can read a more detailed account of his reign here.

But what about the claims to even greater infamy of “Bad” King John (reigned 1199-1216)? John Julius Norwich, writing in France: A History from Gaul to De Gaulle (2018), asserts that there is no doubt whatever that John was lecherous, duplicitous, faithless and cruel – worse even than his brother [Richard I], the worst king England ever had. John lost Normandy and most of the Angevin lands in France; he provoked a rebellion among the English nobility, leading to the forced concession of Magna Carta in 1215; and at the time of his death in 1216 at Newark, was fighting a losing civil war against English rebels and French invaders, during which the royal baggage train and crown jewels were lost in an estuary of the Wash. Since large parts of his kingdom were controlled by his enemies, he was interred at Worcester Cathedral. His effigy, (photo above) probably dates from 1228 and must have been approved by his son Henry III. According to 2015 biographer Stephen Church, it shows the king standing on a lion, which represents the temporal world over which John had ruled while he lived. The lion is not supine; its head twists to seize the king’s sword in its mouth and bend it. The world is in rebellion, resisting royal authority divinely appointed.

King or Prince John became an established villain in multiple re-tellings of the Robin Hood legend

Stephen Church writes: Within a decade of John’s death, the chronicler Roger of Wendover had made John not only a failed king, but also one who was positively evil. Roger’s successor, Matthew Paris, elaborated on this theme. John was a tyrant rather than a king, a destroyer rather than a governor, an oppressor of his own people, and a friend to strangers, a lion to his own subjects, a lamb to foreigners and those who fought against him … an insatiable extorter of money, and an invader and destroyer of the possessions of his own natural subjects … he had violated the daughters and sisters of his nobles; and was wavering and distrustful in his observance of the Christian religion. The perfect villain, in fact, for composers of ballads and fiction such as the legend of Robin Hood, told so many times that John’s foul reputation is etched into the popular consciousness. The stereotypical John character is patron of the equally villainous Sheriff of Nottingham, and the two often plot together to steal the crown from the heroic Richard who is away on Crusade.

In a memorable, 1991 scenery-chewing performance as the film-stealing Sheriff of Nottingham in Robin Hood: Prince of Thieves, Alan Rickman declares: Cancel the kitchen scraps for lepers and orphans, no more merciful beheadings, and call off Christmas! The Trustees of The Shaftesbury & District Historical Society, on the other hand, wish all their members, volunteers, friends, and readers of this News Blog a Happy Christmas and a Prosperous New Year.

More of a Pit Stop than a Royal Visit

In October 1899 Shaftesbury Council built a temporary grandstand, capacity 800, opposite the Town Hall in anticipation of a Royal Visit. The streets were festooned with bunting, and a competition was held to encourage householders to add to the blaze of colour. They needed little encouragement, as patriotic fervour was at its height in the early days of the Second Boer War in South Africa. People flooded into the town from far and wide. Prime positions were reserved for local dignitaries, such as Lord Stalbridge of the Grosvenor family who owned most of Shaftesbury until 1919; the vinegar tycoon Mark Hanbury Beaufoy ; and the Mayors of Shaftesbury and Blandford. In the event, the Royal Visit lasted just seven minutes.

Iwerne House, built 1878 by Alfred Waterhouse for the second Baron Wolverton (George Grenfell Glyn); now Clayesmore School. Photo by Johan Van Dijk

The royal visitor, Edward Prince of Wales, had arrived in Dorset at Shillingstone Station on the old Somerset & Dorset line, to join a three-day shooting party at nearby Iwerne Minster. He was the guest of Lord and Lady Wolverton, George Grenfell and Georgiana Maria Glyn. The Glyns were part of a banking dynasty, and, until he succeeded to the Wolverton title, George was Liberal MP for Shaftesbury, 1857-73. In 1878 he employed perhaps the leading Victorian Gothic Revival architect, Alfred Waterhouse, whose work includes Manchester Town Hall and the Natural History Museum, to build a splendid country house. The Prince of Wales became a frequent visitor, continuing later as King, and after the house had passed into the hands of the Ismays, owners of the White Star Line and ‘Titanic.’ This explains why Shillingstone, a modest country station, boasts a rather grand canopy.

Shillingstone Station
Shillingstone Station under restoration since 2005 by the North Dorset Railway Trust

Thanks to Press reports unearthed by Hilltop History broadcaster Dave Hardiman, we have been able to place the Tyler photograph, still displayed above the stairs in Shaftesbury Town Hall, in its historical context. According to the (highly deferential) reporting, the Prince had decided to return to London two hours earlier than planned doubtless owing to the troubled condition of state affairs. It’s true that the Boer War was going badly, and perhaps Queen Victoria in her advanced years had allowed Edward rather more access to government business. However, Edward was a notorious playboy, with more than 50 mistresses during a lifetime of over-indulgence. In 1901 his waistline reached 48 inches, and in 1898 he began a relationship with the Edwardian beauty Alice Keppel (1868-1947), great-grandmother of the current Queen Consort. In spite, or perhaps because, of this reputation, he seems to have been genuinely popular. There was a continuous demonstration of loyal affection from Iwerne to Semley Station, but at Shaftesbury the inhabitants quite excelled themselves in their efforts to do honour to His Royal Highness.

Two bands played the royal procession into the town. Shaftesbury Town Band were resplendent in new uniforms, while the 1st Battalion of the Dorset Volunteers provided both a military band and a 100-strong guard of honour, drawn up in front of the Town Hall. Accompanying the Prince in his carriage were the Wolvertons and the twenty-year-old Grand Duke Michael, who was the first of the Russian Royal Family to be murdered by the Bolsheviks in 1918. Conspicuous by her absence was the much-loved Princess of Wales, Alexandra of Denmark. There can have been no time to alight, or for formal speeches; instead, printed addresses and handshakes were exchanged. After seven minutes the cavalcade moved off to Semley Station, where the 10.20 Exeter to Waterloo express made an unscheduled stop.

The future Edward VII on a seven-minute Royal Visit to Shaftesbury on 21 October 1899. A.E. Tyler must have been on the Town Hall balcony, and probably recycled the image at the time of Edward’s death in 1910.

The inhabitants of Shaftesbury managed to fill the rest of their special day with a football match played on the cricket field, which visitors Fordingbridge Turks won 2-0, and a great deal of celebratory dining. The day’s proceedings which will be long remembered by all who witnessed them, terminated with a magnificent pyrotechnic display in the cricket field.

Claire Ryley and Ann Symons look forward to observations from the audience about other images from the Tyler Collection at 2.30 on 06 December at Gold Hill Museum. This presentation is free to members of The Shaftesbury & District Historical Society, while non-members may pay £3 at the door.

Trace Your Family Tree at Gold Hill Museum

A new Family History group starts at 10a.m. on Thursday 24 November in the Garden Room at Gold Hill Museum. Access to the Garden Room is via the path to the right of the Museum entrance, so please don’t be put off by the Closed sign. The aim is to bring together ‘Family Historians’ who may be just starting their research, or who having found lots of information, need help in collating it, putting it into perspective, and writing it up. Perhaps they have reached a point where they have apparently hit a ‘brick wall’!

Group Leaders Linda Wilton and Zoe Roberts will be drawing on their own experiences to offer practical advice and assistance in a relaxed setting. Click here to listen to Linda’s conversation with Keri Jones on The Alfred Daily

The Group will be run on an informal basis, with some structure and guidance from the Group Leaders, from 10.a.m. to 12 every Thursday morning during school term times. Access to Ancestry will be provided. Please bring, if you have them, your own Tablets/iPads, notebooks, pens and pencils. There will be a nominal charge of £5 per person, per session.

To book a place, either contact Linda and Zoe directly, or via enquiries@goldhillmuseum.org.uk